Silence Of The Lambs

The next thing I wanted to talk about is the Oscar winning feature film "The Silence of The Lambs". 


"A young F.B.I. cadet must confide in an incarcerated and manipulative killer to receive his help on catching another serial killer who skins his victims."


The reason why I think this is a big film for me to look at is it is the complete package. The direction given by Jonathan Demme is absolutely on the ball and the project he delivered was flawless. The performance given by Foster and Hopkins steal the show and they throughly deserved their Oscar. 


Looking at the chemistry between the two leading actors shows me again that getting the actors in together and working together early is so important to have a natural flow between characters. The pacing of the film to is great and it goes down as one of the best movie performances of all time by Anthony Hopkins. The kidnapping in the film to is something I looked at in terms of set design and how Buffalo Bill treats his captive psychologically. 


The cinematography is something I looked at to and it's quite stylistic although it's a "Hollywood" type film. Different angles were used to show Lecters dominance as well as Buffalo Bills dominance and this is basic film grammar, but is used really well to make them imposing.

Prisoners

The next film I wanted to look at is the 2013 Denis Villeneuve film "Prisoners". 

"When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?"



I really liked this film and I feel the vibe around is could be quite similar to mine. The use of colour and tempo is quite on the money to what I want, as well as the fact the film is about kidnapping.



This film is so nicely structured and shows how important good acting is to deliver a story line with a weight of "Prisoners". After looking at it made realise how important logistics are for my film in terms of set, costume and makeup because if it isn't done properly it'l look poor and I want a high production standard.

  

Facebook Article

This is a very interesting article that I came across which talks about feral children that  were raised by animals.



One case that interested me more so the others is the case of Genie in 1970. She wasn't raised by children, she was tied to a chair when she was 20 months where she remained until she was 13. Nobody talked to her thus she was unable to develop speech. The case was looked at by psychologists, linguists and other such scientists have learnt valuable information from her case. Various documentaries were also made.



Rodriguez

Robert Rodriguez is one of my favourite directors but many people don't seem to know who he is. His method of film making is so refreshing and is the prefect scope for amateur film makers: 

 "Creativity, not money, is used to solve problems." 





He also came up with a concept for script writing. Don't write something you can't make, write the screenplay based on that list of things you can use like cool cars, apartments, horses, samurai swords and so on.


He also earned the nickname "The One Man Film Crew" for the work he does on his films, which is everything. Rodríguez not only has the credits of producing, directing and writing his films, he also frequently serves as editordirector of photographycamera operatorsteadicam operator, composer, production designer, visual effects supervisor, and sound editor on his films. This is a huge inspiration for me because his work ethic is infectious and the way he goes about things is something I love about him. 

Dusk Till Dawn

The next thing I wanted to talk about is the Robert Rodriguez television adaptation of his cult classic "From Dusk Till Dawn". It tells the story of the Gecko brothers trying to get to Mexico while being chased by cops. The reason why I wanted to talk about it is because of it's use of colour grading.

  

Rodriguez's work is very stylistic and that is partially due to his colour use. It as a nice finish to the video and really makes the screen vibrant and is something I would like to experiment with this for my project. 

Here is a piece from an article where Rodriguez talks about colour:

“Since I shot in color, we’d take the color out and make it a stark black-and-white, but at any time in post I could bring a color back in,” says Rodriguez. “You could then use color as a weapon; a really strong storytelling tool. 




God Of Love

The next film I wanted to talk about is the 2011 Oscar winning short film titled "God of Love". 
It tells the story of Ray, a lounge singing darts champions who finds his prayers being answered after mysteriously finding a box of love darts.


The reason again why I wanted to check this out is because it's the best. It won the big one so these are the films I should be watching. It tells a nice little story with a nice narrative with nice camera work, but nothing out of the ordinary. It shows what you can do with a good story and good planning and that is something I hope to achieve. 

In Bruges

The next movie I wanted to review was Martin McDonaghs 2008  film "In Bruges". I adore this film because of its simplicity in terms of story. It tells the story of Ray, who travels to Bruges after a job gone wrong.   


What I love about this film and McDonagh's films are his ability to strike the perfect balance between drama and comedy. His jokes are hilarious and his sad parts are devastating and that is so tricky to do. The reason why I watched it is for that reason. Picking up methods and tips on how he writes and how his films are shot. 



Also having important chemistry with your actors are so important. Colin Farrell and Brendan Gleeson are real life close friends and it comes across that way in the film. Also it's so important to maintain a positive and happy spirit on set because it'll make for a better film making process.